They’re selling “Presence” as a horror movie when it’s something else entirely: a ghost story as told from the point of view of the ghost. As such, it’s more unsettling than scary, more dramatically gripping than nerve-shredding.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

While he made his name in the mainstream with the Magic Mike and Ocean’s Eleven films, Steven Soderbergh has experimented with genre and form in a number of smaller movies. In the horror genre, he made 2011’s frighteningly prescient pandemic horror Contagion,

Soderbergh’s camera takes on the view of an unknown spectral presence that occupies an empty home. This lonely presence gazes out the window as occupants arrive.

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The filmmaker traps the audience in a beautiful suburban home, letting us drift through rooms with this curious being,

Presence see's director Steven Soderbergh and screenwriter David Koepp deliver a ghost story unlike quite any other.