Catherine Opie is excited to talk about her “big-bottom girl chair.” It’s her favorite object in the world that she owns: a black leather chair from Danish designer Finn Juhl. “I knew immediately that ...

Add Yahoo as a preferred source to see more of our stories on Google. In Trump’s America, the question of what art is shown in national galleries and museums is a potent one, and Catherine Opie ...

Artists Catherine Opie and Cindy Sherman have teamed up on a new line of jewelry, creating carved cameo pendants based on a selection of their photographs. The nine pieces, which include rings, ...

Add Yahoo as a preferred source to see more of our stories on Google. ‘Self-portrait’ By Catherine Opie, 1970 (Catherine Opie) One image seems to sum up American photographer Catherine Opie’s first ...

“Untitled #9 (Swamps)” Credit: Catherine Opie, Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York, Hong Kong and Seoul Since the time Catherine Opie requested and received a camera for ...

As galleries and art institutions around the world begin to reopen, we are spotlighting individual shows—online and IRL—that are worth your attention. Catherine ...

Now on view at Regen Projects, Opie’s silent ode to the city is solely told with still, black-and-white images. We are uncertain about the ambiguous identity of the protagonist, who is played by ...

Catherine Opie’s photograph “Day Before the O.J. Verdict,” one of nearly 70 examples in an intimate and absorbing survey exhibition at Regen Projects in Hollywood of the L.A.-based artist’s work from ...

Self-portrait ‘Pervert’ was possibly Catherine Opie’s most angry piece. In the photograph, Opie sits, bare-chested, facing the camera with the word pervert slashed into her upper body. Her arms are ...

Photographer Catherine Opie’s first film, “The Modernist,” follows the exploits of an artist-turned-arsonist who sets his sights on famous L.A. modernist homes. Screening on a loop in a large, ...

One image seems to sum up American photographer Catherine Opie’s first major UK exhibition. A tattooed, genderless person sits cross-legged on a stool in the show’s poster image, moustached, ...