Terry Gilliam’s “Brazil” doesn’t so much begin as stumble awake, like you’ve walked in on someone else’s nightmare at the exact moment it realizes it’s dreaming. You don’t know where you are, or why ...
Gilliam’s film has echoes of Fellini and an irreverence that’s marked the high points of his career, which is why it’s frustrating when the whole thing feels worth less than the sum of its parts. More ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results