With the audience haunting a sad family through a spirit's POV, Steven Soderbergh's latest experiment is ultimately about the never-ending appeal of voyeurism.

They’re selling “Presence” as a horror movie when it’s something else entirely: a ghost story as told from the point of view of the ghost. As such, it’s more unsettling than scary, more dramatically gripping than nerve-shredding.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

By confining the camera perspective to the viewpoint of its unseen ghost, director Steven Soderbergh scores with a crafty thriller.

Presence is a more delicate and nuanced haunted house movie that takes a more elevated route to horror as opposed to more gory ghost stories like 13 Ghosts or The Haunting in Connecticut. If you’re looking to watch something with fewer horrific images and jump scares while you wait to see Presence, check out these similar movies!

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The filmmaker traps the audience in a beautiful suburban home, letting us drift through rooms with this curious being,